The Beginner Videography Buyer's Guide for 2017

With so many options available on the market today, choosing the right beginner equipment for video production can definitely be a challenge. We’ve compiled some of the best options and created a “videography starter pack” for beginners to help you decide on a few options so you can achieve high quality results at the best value.

Panasonic Lumix G7 4K Camera

One of the best value cameras current available is the Panasonic Lumix G7. This mirrorless camera allows for 4K video recording at 30 frames per second at 100Mbit/s, all on a micro four thirds system that allows for interchangeable lenses. This camera can also shoot at 60 frames per second while in 1080p mode, allowing the footage to be slowed down in post. This makes motion appear more smooth and can give your footage a cinematic look while filming. However, this camera does not include in-body stabilization, so if you’re planning on shooting video without the use of a tripod or gimbal, it’s worth checking out the Panasonic Lumix G85 instead. In either case, all footage will be recorded onto an SD card which is not included. To ensure you have a good quality card with fast write speeds, we recommend going with a high quality card such as the SanDisk Extreme PRO.

Zoom H4N Pro Audio Recorder

While a good quality camera to capture nice-looking video is highly important, that’s not the end of the story for videographers. A big part of creating professional content is clean, high quality audio. Whether you’re recording voice using a lavalier microphone, shotgun microphone, or just picking up background noise in a room, you should consider an audio recorder such as the Zoom H4N PRO. This will allow for both XLR and 3.5mm microphones to be connected directly to the recorder. You can then record audio on the recorder itself, or send the audio through to your camera’s 3.5mm microphone input and use the audio recorder as an improvement to the camera’s built-in (noisy) preamps. Additionally, the Zoom H4n Pro has its own microphones, so it’s not necessary to use external ones for every situation. One of the nice things about using a portable audio recorder, is you can connect the lavalier to it, and hide it in a pocket. That way all the audio is recorded, without the need for a cable to the camera or an expensive wireless system.

Viltrox L116T LED Light Panel

To achieve those perfect shots, you’ll also need to use appropriate lighting. For budget videographers just getting started, a good bet is to check out the Viltrox L116T. This lighting system has adjustable color temperature from 3300K to 5600K, as well as a built-in brightness control. It can be powered by standard NP-style batteries for portable use, or by power adapter. The Viltrox L116T can be easily mounted on top of the camera with a cold-shoe mount, or on a standard light stand.

Finally, a solid base and smooth motion is essential to videography. When getting started, it’s worth getting a high quality professional video tripod such as the Davis & Sanford ProVista 7518B. This tripod is very well built with a fluid head on a 75mm bowl mount, allowing the head to be easily leveled. Additionally, the 75mm bowl mount allows for the head to be upgraded in the future to something like a Manfrotto MVH502A head without requiring an entire new tripod to be purchased. To learn more about this tripod, check out our review of it here.

Davis and Sanford Provista 7518: Best Entry-Level Fluid Video Tripod

The Davis & Sanford PROVISTA7518B Fluid Video Tripod is an excellent entry-level video tripod with a fluid head. This tripod is solidly built and will function for a variety of filming and photography applications.

One of the most important things to consider when choosing a tripod is the quality of the fluid head. The fluid head basically acts to provide drag so that movements are smooth when panning and tilting. That way, any small changes in pressure don’t have as much of an effect on the camera movement. Smooth camera movement is one very obvious factor that separates professional and amateur video.

The fluid head on this tripod definitely provides smooth movement. When using it, it’s a little easier to get a smooth tilt that it is to pan. This is more down to practice, since it’s easily to push the handle straight down than it is to maintain a smooth motion of your hand across your mid-line.

Even though this tripod has a fluid head, it definitely still takes some practice and technique to get smooth movements. Even so, new users will find the video very usable and any movement from an inexperienced user can easily be cleaned up during editing using something like Adobe’s Warp Stabilizer.

After a little practice with this tripod, tilting the head seems to work best with my hands placed at the end of the handle. This gives a longer range of movement and makes it really smooth. As for panning, I prefer to have one hand on the camera grip and another right near the base of the handle on the other side of the video head. Having two points of contact gives a lot more control and prevents the slightly jerky movement of each hand from affecting the camera as much.

Adjustable fluid head with bubble level.

One fantastic feature of this tripod is the adjustable head. The center handle can be loosened, which allows the head to tilt side to side, forwards and backwards. If the tripod isn’t on level ground, or the legs aren’t set to exactly the same length because you’re in a hurry, you can quickly adjust the position of the head to get it level. There’s even a small bubble level just to make sure it’s straight. This is especially important for video, since it’s very difficult to rotate a video clip during editing without losing quality and resolution.

My version of the tripod has the slightly older FM18² fluid head. The newer V18 head is very similar, but has a few improvements to some of the locks, making them a bit easier to use with a camera installed. In particular, the lock that holds the camera clip in place can’t be tightened properly when using a DSLR camera because it can’t rotate. I’ve been able to get around this issue by tightening it almost all the way, and just tightening the last part when I put the camera on. Aside from this small issue, the rest of the video head is fairly straightforward to use.

As for photography, I’ve also used this tripod for astrophotography. Even on a windy night, it’s solid construction prevents it from moving around, especially when all the clamps are properly tightened. With this tripod, you can easily shoot long exposure shots without worrying about the camera moving.

The video head construction on this tripod really surpassed expectations. The head is absolutely massive and is completely made out of metal, except for the strong plastic hand grips. It was a pleasant surprise when I noticed even the clamps and locks were all metal, unlike some cheaper tripods where they would all be plastic that could break easily.

The tripod legs are also very solid. The legs are all metal except for the clamps, feet, and a hinge assembly that connects it to the video head. All the clamps seem to be well constructed and can easily hold the tripod at whatever height it is set at with a heavy rig on top.

This tripod isn’t designed to be lightweight and portable. The tripod and bag together weigh in at right around 10 pounds, which is significantly more than some of the carbon fiber tripods available today. It’s also about 3 feet long when collapsed, so don’t expect to be carrying it around in your backpack. This tripod is intended to support heavy camera rigs and be used in larger production situations, so you’ll be disappointed if you’re looking for something to carry around everywhere.

Unlike some of the cheap knockoff brands available online, this tripod also features a very durable bag. The material, zippers, and clips are all very well built, and the logo is actually embroidered instead of being just a printed label. There’s also increased padding around the video head. This can act to protect the video head itself, but honestly I think you’d be more likely to put a dent in the floor with the weight of this head than to damage it, so the padding can protect against that as well.

Overall, the Davis & Sanford PROVISTA7518B Fluid Video Tripod is one of the best fluid video tripods available for the money. We would highly recommend this to anyone looking to make their own videos and add a sense of professionalism with smooth pan and tilt camera motion.

Electronic Drum Kits for the Home Studio and Rehearsal

If you’re looking to practice drums without disturbing your neighbors, or just need a quick way to record a drum track, an electronic drum kit is a good solution. Though there is a wide range of quality between a lot of the different electronic kits, we’ll be focusing on some of the entry level kits.

Though I wouldn’t necessarily rely on a lot of these budget electronic drum kits for live gigs, they are a great portable tool for practicing with a band. Many electronic drum kits can easily fold down and are lightweight, making transporting them much simpler than a traditional acoustic drum kit. If using these drum kits for practicing with a band, make sure to pick up a suitable amplified or hook it up to a PA system so everyone can hear it.

One of the most important considerations when deciding on an electronic drum kit should be the feel and quality of the pads. Though the drum module itself is responsible for the tone of the drum kit, in many cases this can be replaced, or used with a virtual instrument on a computer to create a more realistic drum sound. If the quality of the pads is poor, you’ll constantly be reminded of it as you’re playing, and it could seriously affect your performance.

Another important factor is the sensitivity. Make sure to choose a drum kit with a good range of sensitivity and responsiveness when you hit it. There’s nothing worse than a kit that can’t pick up on the subtle nuances of a drummer’s performance. Even the best virtual instrument plugins won’t be able to improve this sound if there is improper velocity tracking when recording MIDI.

Not all the sound modules with the electronic drum kits are created equal. Some have a lot of different included sounds, but not all of them are capable of sounding realistic if you’re looking to emulate an acoustic kit. Depending on your specific needs, the sounds included with the electronic drum kit are definitely important to consider.

There are a few different electronic drum kits at the budget end, all of which have similar features. We’ll go over a few of these drum kits and discuss some of the advantages and disadvantages of each.

Alesis Nitro Kit

The Alesis Nitro Kit is a decent starter kit that includes a hi hat, 2 cymbals, snare, 3 toms, and a kick drum. All this is held together with a sturdy aluminum rack, however, some of the cymbals are a little flimsy. Though the overall kit does have a good feel to it, some of the included sounds are a lacking. This is definitely a kit that produces a very electronic sound, so we don’t recommend it to people looking to recreate an acoustic kit for a recording. If your goal is recording for a pop sound, this is a good thing and makes the Alesis Nitro kit a fantastic choice for this application. This kit does have a lot of additional features with the drum module, such as multiple drum kit presets that can be changed by the user, and an included practice tool to teach you to play on time.

Simmons SD300 Electronic Drum Set

Another good option for an electronic drum kit is the Simmons SD300 Electronic Drum Set. Similar to the Alesis kit, this has very electronic sounds to it, making it better for pop music. The sounds are a little more consistent, which can be a slight problem and sound unnatural depending on how prominent the drums are in your music. The Simmons electronic drum set includes 10 kits, 170 drum sounds, and audio outputs to hook it up with an audio interface. Since the tone of this electronic drum kit isn’t the best, we strictly recommend it as a MIDI controller for using with virtual instrument plugins in a DAW, instead of using the included sounds. This can easily be done, since the drum kit can attach to the computer via the USB output and act as a MIDI device.

Behringer XD80USB

The Behringer XD80USB is a highly responsive and good midrange electronic drum kit. Though the kit still sounds electronic, it is a big improvement over the previously mentioned Alesis and Simmons drum kits. This kit also includes a snare, 3 toms, hi hat pedal, bass pedal/trigger, and 2 cymbals. The Behringer drum kit can hook up to an audio interface or drum module through the standard MIDI cables, or to a computer through USB. Though the sounds of this kit are great, it is lacking in the hi hat pedal, which can have a negative impact on playing performance.

Yamaha DTX400K

One of the best electronic drum kits in this price range is the Yamaha DTX400K. Even though this is an electronic drum kit, it does have a very natural feel to it and can easily sound like an acoustic kit. It features 10 drum kits, and a variety of different sounds for whatever genre of music you’re interested in. There’s an auxiliary input for playing along with your own music, as well as built in practice tools with visual indicators to help you improve your own timing. One of the great features of this kit is that it is extremely quiet, making it great for practicing in areas like an apartment. The kit drum trigger is all enclosed within the pedal, instead of a traditional trigger and beater which makes a lot more noise. Overall, the Yamaha DTX400K would be our recommendation for an affordable electronic drum kit for recording and practice.



Electronic drum kits are great for quiet practice, and even recording situations. The MIDI capabilities of electronic drum kits allow you to create professional sounding tracks without breaking the bank on an expensive drum module.

External Camera Microphones: Improve your Video with Quality Audio

 One big problem for amateur video creators is audio. It’s easy to spend money on cameras and lighting, but many people disregard audio. External camera microphones are a great way to improve audio quality. They can attach to a DSLR camera or camcorder, or a portable audio recorder.

External camera microphones provide a huge improvement over the noisy built-in microphones. The built-in microphones are not directional, and pick up a lot of extra noise. This is big problem when the sound source is more than a few feet away.

After all, the best way you can communicate is with your words, not with the video. External camera microphones allow you to increase clarity, while minimizing noise.

These microphones are typically directional, meaning they pick up audio from a specific point. They also exclude audio from different directions, leading to a focused sound.

Though lavalier microphones work in some situations, they have limitations. In some cases, it’s not practical to place a lavalier microphone on each person. Additionally, this can require expensive wireless systems. External camera microphones allow easy recording of multiple people.

When working with a camera microphone, there are a few things to keep in mind. It’s always best to record with the camera in manual mode. Otherwise it will increase the gain during low volume, causing more noise.

It’s important to eliminate background noise and use the microphone as close as possible to the sound source. Even expensive microphones will sound terrible in a noisy environment.

In this article, we’ll be covering two budget external camera microphones to improve your audio. We’ll focus specifically on camera-mountable microphones, since we’ve already covered lavalier microphones. The TAKSTAR SGC-598 is great for budget applications, while the Rode Video Mic GO provides superior audio quality.

Budget External Camera Microphones

TAKSTAR SGC-598

One low budget option is the TAKSTAR SGC-598. It plugs in using a stereo cable, so it will record on both channels. It’s a shotgun microphone that must be placed close to the source for proper recording.

The TAKSTAR microphone shell is plastic, and there’s a plastic mount for the camera. Though many people just mount it to the camera, it can attach to a boom stand. Position the microphone just out of frame, as close as possible to the source. If used on a boom, connect it to the camera with an extension cable, or to a portable recorder. A good budget recorder is the Zoom H1.

The TAKSTAR microphone uses a AA battery. This allows a high signal level, leading to less noise.

The microphone has a power switch. Always turn on the power before recording. Otherwise it won’t record sound. Luckily, there’s a green LED when on, and red for low battery.

To reduce noise, keep the microphone at a high level and reduce the camera volume. You also don’t want to be boosting the audio signal during editing. This will increase the noise. Even when setup properly, the microphone still produces a hissing sound.

The TAKSTAR SGC-598 has a few features to adjust the sound. There’s a high pass filter that removes low frequencies. There’s also a -10 dB cut. This reduces the output, and prevents clipping.

The microphone also includes a windscreen. This is placed over the microphone, and can reduce wind noise. We recommend using the windscreen at all times, especially outdoors.

As far as frequency response, the TAKSTAR SGC-598 has a good balance. You’ll need to consider the proximity effect, otherwise the recording can be boomy. We did find that the mid/low frequencies can be a little overpowering compared to the highs.

Rode Video Mic GO

The Rode Video Mic GO is a good option for higher quality audio. This microphone produces less noise than the TAKSTAR, but it’s cheaper than the Rode VideoMic Pro. This microphone has a focused sound due to its supercardioid polar pattern. But, like all shotgun microphones, place the microphone near the audio source to prevent capturing noise.

This microphone can easily mount to the top of almost any camera. The built in shockmount prevents the microphone from picking up vibrations. This prevents noise when the moving the camera or pressing buttons to change settings.

One good feature of the Rode Video Mic GO is that it doesn’t require power. You won’t have to worry about batteries dying while filming. Additionally, no battery means the microphone will work without turning on a switch. Unpowered microphones will prevent the camera from capturing any sound.

Though the audio from this microphone is better than the TAKSTAR, there are less features. The Rode Video Mic GO does not have a level adjustment switch. Instead, it relies on settings within the camera. There’s also no high pass filter on the microphone. This isn’t much of a problem, since it’s easy to add a high pass filter during editing.


Overall, both the TAKSTAR SGC-598 and the Rode Video Mic GO are great external camera microphones. They provide improved audio quality compared to those of the camera. The TAKSTAR microphone is great for budget applications, while the Rode microphone provides even better quality audio.