When recording guitar, large half stack amplifiers aren’t required, and can even be problematic in the studio. We’ll be taking a look at some of the best combo tube amplifiers that work great for recording electric guitar in the studio environment. These smaller amps are also very portable, making them well suited as a practice amp with a band, or for live performances in a small venue.
Marshall DSL40C
The clean sounds from this amp are crystal clear and smooth, while the gain channel provides amazing lead tones. This amp sounds fantastic for rock genres, especially when paired with a humbucker pickup. There’s also a tone button that causes a mid-scoop, making it just as great for metal.
Overall, this amp is extremely versatile, and can provide great tones for just about any genre of music or with any guitar.
VOX AC15C1
The VOX AC15C1
The Vox AC15C1 works well with just about any guitar, whether it’s the single coil pickups in a Stratocaster, or the humbuckers in a Les Paul. This amp also has built in reverb and tremolo, allowing easily replication of classic tracks without the need for other expensive pedals.
Blackstar Venue Series HT Club 40
The Blackstar Venue Series HT Club 40
This amp has a few extra features that make it a great choice. First, there is an effects loop provided on the back, allowing pedals to be used to modify tone after the guitar preamp. There is also built in digital reverb, as well as an included footswitch to switch between clean and distorted channels as well as control the reverb.
The Blackstar HT Club 40 would be well suited to genres such as hard rock and metal, where power and heavy distortion are required.
Fender Blues Junior III
The Fender Blues Junior III
Ibanez TSA15 Tube Screamer Combo Amp
The Ibanez TSA15 Tube Screamer Combo Amp
This amp works well for genres such as jazz, blues, and country, but it’s not so great in situations requiring heavier distortion such as hard rock. There are two separate channels, boost and clean, which can be switched easily using a footswitch. There is also a boost control, which adds a little extra volume for solos or times when the guitar just needs to cut through some of the other instruments. One great feature of this amp it that is has a separate volume control from the tube screamer section. This allows the amp to be pushed hard to get some solid overdrive while simultaneously backing off on the volume for quieter playing.
With so many different guitar amps available, choosing the right one can be a difficult decision. Hopefully we’ve been able to make this decision easier by covering some of the best tube combo amp options for the home studio. If you’re interested in these amplifiers, we always recommend testing one for yourself with your own instrument, or at least watching a few videos on what it sounds like before dropping your hard earned money on some new equipment.
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